*** DEBUG START ***
*** DEBUG END ***

Lime’s moving dots

by
31 July 2015

Stephen Brown enjoys the restored version of a Greene classic

iSTOCK

THE THIRD MAN (Cert. U) is back in cinemas in a sparkling digital restoration. Black-and-white film’s numinous contrasts of luminosity and darkness create an almost theological antithesis — especially with an original screenplay by Graham Greene, Robert Krasker’s iconic lighting, and Carol Reed’s masterly direction. Where is God, or at least goodness, to be found? In the light, or there among the shadows?

The Third Man won the 1949 Cannes Film Festival’s Grand Prix, becoming one of cinema’s most appreciated movies. Racketeers vie with military authorities striving to wreak order out of chaos. Holly Martins (Joseph Cotten) arrives in post-war Vienna to learn that his childhood friend Harry Lime is dead, suspected of dispensing lethally contaminated penicillin to hospitals. A sceptical Martins tries to clear Lime’s name, but finds himself descending into a miasma (visually represented by Vienna’s sewers) of human weakness and wickedness.

Orson Welles plays Lime. It is no accident the film’s revival coincides with his centenary. Everyone knows Lime’s Ferris-wheel speech implying that Switzerland’s sole contribution to civilisation was the cuckoo clock, whereas the Borgias’ tyranny produced sublime artistic achievements. Very Greene, even though written by Welles. Within the darkness of human hearts there also lurks a divine imperative.

Greene’s preceding dialogue nails this even better. Lime looks at the crowd below them. Would you really feel any pity if any of those dots stopped moving for ever? Martins retorts that Lime used to believe in God. “I still do, old man.” Herein lies the heart of the matter, of the film. Is there a God of pity in the thick of Lime’s “suckers and mugs”? Or a transcendent deity indifferent to their fate?

Mercy and forgiveness are hard-won in this movie. And not always yet on offer. Hence the way the story ends. The Third Man remains vibrant with redemption, actual or potential, and if you can’t see it at the cinema, a DVD/Blu-Ray packed with fascinating extra material from Studio Canal has now been released.

Browse Church and Charity jobs on the Church Times jobsite

Church Times Bookshop

Save money on books reviewed or featured in the Church Times. To get your reader discount:

> Click on the “Church Times Bookshop” link at the end of the review.

> Call 0845 017 6965 (Mon-Fri, 9.30am-5pm).

The reader discount is valid for two months after the review publication date. E&OE

Forthcoming Events

 

Church Times/RSCM:

Festival of Faith and Music

26 - 28 April 2024

See the full programme on the festival website. 

Early bird tickets available

 

Intercultural Church for a Multicultural World

28 May 2024

A Church Times/Church House Publishing webinar

Tickets are FREE

 

Church Times/Modern Church:

A Political Faith?

Monday 3 June 2024

This panel will explore where Christians have come to in terms of political power and ask, where should we go next?

Online tickets available

 

Church Times/Modern Church:

Participating in Democracy

Monday 10 June 2024

This panel will explore the power of voting, and power beyond voting.

Online tickets available

 

Green Church Awards

Closing date: 30 June 2024

Read more details about the awards

 

The Church Times Archive

Read reports from issues stretching back to 1863, search for your parish or see if any of the clergy you know get a mention.

FREE for Church Times subscribers.

Explore the archive

Welcome to the Church Times

 

To explore the Church Times website fully, please sign in or subscribe.

Non-subscribers can read four articles for free each month. (You will need to register.)