A MAGNIFICENT irony energised the heart of Bible
Hunters (BBC2, Thursday 13 and 20 February). The 19th- and
20th-century search to discover the oldest scriptural manuscripts
was an attempt to lay to rest the faithful's doubts, raised by the
scientific discoveries of that era.
If geology proved that the earth's origin was far older than
4004 BC, and biology showed that all species, instead of being
unique and all formed at exactly the same time, are instead related
by evolution to one another, then how can the Bible be trusted? Let
us at least ascertain the original, inspired word of God, whose
historical accuracy is proved by archaeological evidence, and then
we will have a solid rock on which to build our faith.
This was essentially a Protestant quest. Roman Catholics located
authority in the Church and pope; so, for them, scripture was far
less significant. But it all went badly wrong. The older the
manuscripts that were discovered, the more they diverged from one
another. Variant readings multiplied. Worse, manuscripts of other
writings showed that the books that form the canon of scripture
were far less unique (sorry about that) than had been assumed.
The evidence indicated that there were several Christianities -
that varieties of faith in Jesus were hammered into a single
orthodoxy only by the Roman state. To crown it all, the more that
key sites were subjected to scientific archaeology, the more
significant biblical events and movements evaporated into thin air.
All this is first-year-biblical-studies commonplace, but we seem
poor at communicating such material to the world at large.
It is taken for granted that the default position of a faithful
Christian must be more or less verbal inerrancy, flying in the face
of all that science might prove. For that reason alone, this
two-part documentary is to be welcomed. It presents a tale of the
courage of those who sought the oldest biblical manuscripts.
I found serious confusion, however, in whom exactly it was aimed
at. There were too many images of the presenter, Dr Jeff Rose,
speeding on a motorbike, buying a camel, and striding through
bazaars. All this suggested anxiety that we might be bored by the
serious matter in hand. But it was good to be reminded of the work
of Tischendorf, Flinders Petrie, and Agnes and Margaret Smith.
More could be said about the excitement of the study of textual
variation - how, for example, early translations can help establish
a probable original reading; and, above all, how, for many of us,
the variety of early Christianities reinforces rather than
undermines faith.
Inside No. 9 (BBC2, Wednesdays) is a new comic series
of magnificent quality. Thirty-minute dramas present immensely
subtle, lunatic situations that develop into scenarios of
destruction and death. Last week's was close to sublime: an
extended dumb show, with only a handful of spoken words, of inept
burglars' blundering into a marriage breakdown, twist after twist
ratcheting up the tension.
Both have been, if anything, even more satisfying in retrospect:
the climactic denouement linked tiny clues scattered
throughout.