THE hare does not bolt when we see each other, but takes his
time to look at me before lolloping off into the bracken. He is
damp and scruffy, and his eyes are like polished stones. He is a
sagacious animal, with a thought process that engages with my
wonder.
Humanity and hares have a strange
history, when you come to think of it, a dramatic way of try- ing
to make sense of one another. We have given hares attributes and
plants that have nothing to do with them - and a lot to do with our
fantasies. A jack hare with his doe wife and their leveret children
do not burrow, but live above ground. The boys box in March.
The Colonel opens the flower and
vegetable show, and I award the cups. They have been polished, and
stand on black mounts, each with its giver's name lavishly
engraved. The Gordon Brown cup, etc. As most of the donors have
departed to other rewards, the calling out of their names in the
village hall always creates a certain sadness. The Lucas cup, for a
single rose.
Long ago, the artist John Nash was
being driven by Colonel Lucas's elderly sister, when she nodded
off.
"Grace, old girl!"
"Oh, my dear, it must have been the
lunch."
The cricket ground is mown to a T,
and, although the temperature is in the 30s, looks cool. A dozen
young people do karate, all robed in white like our future selves
in the carol. They knock each other over with bare feet. They bow
east, south, north, and west when the karate ends. How amazing that
they live in our village, and, as far as I am concerned, have been
more invisible than hares.
But whereas in my boyhood everything
in a village was known, now little is known. And this is not
because there is a new way to keep secrets, but because everyone
who lives here takes a world-view through the internet, and the
car, and has limited interest in parochiality. But this year's
flower show unconsciously releases something that is pure
Wormingford - something that no neighbouring village can have, even
if it rents the same bunting and marquee, and shares the same
goalposts.
I judge the children's handwriting
entries. These could not be more minimal. Softly blaring music,
gorgeous cake, unloaded paperbacks, the raffle, handsome ladies who
have been in the sun, and, at the end, the sell-off of home-made
bread and more or less straight runner beans.
On Sunday - Jonah. Jonah for August.
His brief tale has been chopped into three, to last out the month.
Which is a shame. And, as we all know, like there not being an
apple in Genesis, there is no whale. Jonah's notorious three days
in the belly of the great fish are really the least fascinating of
his adven-tures.
I like his getting sunburnt as he
eagerly takes a grandstand seat above Nineveh - "that great city" -
to watch it burn. God shakes his head. He reminds young Jonah of
the divine protection that has been at hand all his wayward life -
the big marrow leaf, for example, which now shades him from
sunstroke. God says: "They are not all wicked in Nineveh. Think of
the boys and girls, the cats, the cows. . ." We leave Jonah
thinking.