God’s horn or hornets’ nest? Now the Church puffs up the vuvuzela

by
17 June 2010

by a staff reporter

THE VUVUZELA, the plastic horn that has dominated the 2010 World Cup, is Africa’s revenge on the West, a South African theologian says.

The president of the South African Council of Churches, Dr Tinyiko Maluleke, interviewed by ENI in Edinburgh last week, praised the vuvuzela for the volume of noise it makes. Dr Maluleke described the one-note instrument as a “missile-shaped weapon”, which forced the world to wake up and acknowledge Africa’s past sufferings.

Archbishop Desmond Tutu told The Sun on Wednesday: “The vuvuzela is part of our culture. We cannot separate them from the soccer fever.”

By the middle of this week, the website banvuvuzela.com had attracted 84,000 votes to ban the instrument, and 9000 votes in its favour. The BBC has received more than 500 complaints about the background noise on its broadcasts. There are also fears about hearing-loss among fans; and football man­agers say that they can­not commun­icate with players on the field.

But Dr Makulele said: “In the 19th century, white missionaries sided with colonials and gave blacks the Bible, while they took the land. Now, we have created the vuvuzela, which is one of the most obnoxious in­struments: very noisy, very annoy­ing. It will dominate the FIFA World Cup. I see the vuvuzela as a symbol, as a symbol of Africa’s cry for acknowledgement. . .

“We see it when Africans are em­barrassed to be African in their own vernacular language, to relate to their culture positively: the schizo­phrenic relationship that Africans have to their traditions, their cul­ture, and their religions.”

A South African newspaper, the Mail and Guardian, has reported that the vuvuzela is commonly used in church services in neighbouring Bots­wana. One Botswana church­goer, Jacqueline Chireshe, explained: “The vuvuzela is a biblical instru­ment; it is a trumpet, and God expects us to blow the trumpet in offering praise to him.”

Last year, members of the Nazareth Baptist Church, founded in 1910, unsuccessfully argued that they owned the copyright on the instrument, which was used on an annual pilgrimage to a mountain in KwaZulu-Natal which they consider to be holy.

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