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Sole serious insight

by
02 November 2006

THE Battle For Britain’s Soul (BBC2, Tues) — a series charting our post-Reformation history of religion — is the BBC’s grand statement that it Still Takes Christianity Seriously. Unfortunately, "serious" is just about the last thing of which it can be accused.

Its presenter, the Revd Peter Owen-Jones, is determined to overturn everyone’s preconception of a sober, boring, dull vicar. Striding around in boots and unbuttoned cassock, sporting his fedora in every church he enters, this is our clergy at its most hip, right-on, and happening — and, for me, as dated as those terms. He is priest-lite in much the same way that our Tony is PM-lite — and the story he tells is milked for every element that is matey, irreverent, easily digestible.

The illustrations are cheap and sensational: watching him being driven around London in a stretch limo with a pair of good-time girls gives me little new insight into the loose morals of the Restoration; mounting a stepladder to deliver an impromptu sermon in a shopping mall adds little to our appreciation of John Wesley’s mission.

Some of his historical assertions seem highly questionable, or plain wrong: "Most ordinary people never stopped believing in witches" can’t be right. No doubt many people still followed superstitious customs that originated in pagan beliefs, but this surely didn’t supersede their fundamental belief in Christ. The drama of Bonfire Night anti-popery celebrations at Lewes provides Owen-Jones with exactly the kind of sensational footage that he likes.

But this is where my harangue peters out — because he is absolutely right to stress how widespread was the fear and hatred of Catholicism. His focus on the importance of William III’s Toleration Act, and the ending of the persecution of Dissenters, is a timely reminder of a crucial moment is our history. Even his cheesiest illustrations, like playing with Scalectrix in the chancel to demonstrate Newton’s concept of God, ended with a surprisingly moving insight. Almost everything about this programme urged me to switch it off: I’d have missed something rather good if I had.

The central part played by religion in our island story got further prime-time coverage on Channel 4 last week: Monarchy by David Starkey (Monday) and, on Thursday, Elizabeth I. Starkey — who is now so grand that we almost expect the title to be "Monarchy, by Permission of David Starkey" — told us the story of James I and VI’s succession and reign. As is now the norm, the significance of competing versions of Christianity, their theologies and practices, was treated seriously and unapologetically, giving us far better food for reflection than many supposedly religious broadcasts.

Elizabeth I was simply superlative, a model of how good drama can reinterpret the past, however familiar, stripping the varnish from a well-loved portrait. Helen Mirren’s portrayal of the Virgin Queen will, I suspect, quickly become a TV classic, as iconic as its subject.

The South Bank Show (ITV, Sunday) presented us with a contemporary British icon in the person of Alan Bennett. Bennett revisited significant scenes from his life — school, Leeds Town Hall, church, hospital — in a kind of Everyman journey. It was gentle, affectionate, slow-paced, lugubrious: a perfect end to Sunday.

 

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